DarkWave Studio – Open Source DAW

September 9th, 2009

I recently came across a DAW I had never seen or heard of before, called DarkWave Studio (DWS), made by Daniel Werner of Experimental Scene Pro Audio.  Open-source, and free to download and use, this is quite an impressive piece of work.

Studio Tab

Main "Studio" Tab

The most obvious feature of DWS that stands out is the tabbed interface, and the visual representation of “machines” in the main “Studio” tab.  Instrument and effects plugins, as well as the basic mixer, main output and HD Recorder machines are all connected visually, making it very easy to connect together a chain of machines quickly, and at a glance see what is connected to what.

DWS is quite limited when compared to many other DAWs, but what it may lack in features, it makes up for with an intuitive and capable interface along with some very interesting design choices.  Though hard disk recording is supported well, the real focus appears to be on arranging virtual instruments, editing midi data via a pattern editor, and composing with a sequence editor reminiscent of Fruity Loops.

DarkWave Studio Pattern Editor

Pattern Editor

Sequence Editor

Sequence Editor

Clearly, DarkWave Studio is still under development, and it needs to be tested to see how it performs in a work environment, but if this current version is any indication, this DAW could be a solid alternative to other free options, such as Audacity.

Check out DarkWave Studio and other music software at Experimental Scene Pro Audio.

Antress Plugins Updates To MK-IV

August 21st, 2009

One of my favourite makers of free VSTs, Antress has recently begun updating their suite of plugins to MK-IV.

From the developer:

Free Modern Plugins v4.20 update info.

Download:

http://antress.webng.com/

New Plugins:

Modern Compressor MK-IV

* Power On/Off switch.
* Gain Reduction meter include.
* Post-gate control (-96 to -30 dB)
* Gate time control.
* Threshold control (0 to 48 dB).
* Attack time control (1 ms to 50 ms).
* Release time control (60ms, 125ms, 250ms, 500ms, 1sec, 2sec, 4sec).
* Ratio switch (1.5:1, 2:1, 4:1, 8:1, 16:1, 32:1 and Tank mode).
* Side-Chain high pass filter control (off to 300 Hz).
* Mix control (0 to 100 %).
* Gain control (0 to 30 dB).

Modern Amplifier MK-IV

* Power On/Off switch.
* Fast/Slow modes switch.
* Compress/Limit modes switch.
* Gain Reduction meter include.
* Hidden OLED level meters include.
* Gain control (0 to 50 dB)
* Peak reduction control (0 to 50 dB).

Modern Analoguer MK-IV

* Analog tape simulator, for signal coloring.
* Power On/Off selector.
* Standard/Monitor modes selector.
* Hidden OLED level meters include.
* Input control (0 to +18 dB).
* Output control (-18 to 0 dB).
* Color control.
* Level control.
* Filter control.
* Ceiling control(+6 to -6 dB).

Changes:

Modern SeventhSign (minimum input levels).
Modern SeventhSign (presets).
Modern SeventhSign (Graphic).
Modern FlashVerb (Graphic).

Removed Plugins:

All v3.xx Modern Plugins (New mk-IV plugins will coming soon)

All Plugin List:

Modern Compressor
Modern Amplifier
Modern SeventhSign
Modern Premier
Modern FlashVerb
Modern Analoguer

Modern Series VST Plugins, Free for You, enjoy !

Visit Antress Modern Plugins website for downloads and more information.

I will point out that the older version 3 releases are still available.

Sorting Audio Plug-ins

August 10th, 2009

Audio plug-ins come in a variety of formats, but certainly VST is one of the most widely supported and used type.  Once you’ve collected a few, it becomes a bit of work just managing the plug-ins themselves, since you want to have a logical and easy to use set of tools, you need to keep them sorted.  Putting plug-ins into categorized directories can help you when your looking for a specific effect. Unfortunately most plug-ins have strange names, and categorizing them can be difficult when a plug-in performs several functions.

Layout of Categorized Directories for Audio Plugins

Categorized Directories

Keep newly downloaded plug-ins in a separate folder for testing, and consider your own work-flow when deciding on categories to sort them by.  For example, we use synths less often, so they are lumped into one category.  It’s probably better to have more categories with fewer plug-ins per category, than the other way around.

Tell us your tips and tricks for sorting your plug-ins in the comments below.

Conflict of Interest

August 9th, 2009

Often, we have no producer available, and someone must take on a dual role of either engineer/producer or musician/producer, which can create not only a large workload for any individual during a session, but always results in a less than perfect outcome due to a conflict of interests.  The engineer will be overloaded with tasks to do during a session, and inevitably focus on the most important responsibility, the recording, while a musician is likely to feel their creative energy drained by the distractions of taking notes, communicating with the engineer, and managing the session.  This is why for so long the basic formula of musicians, producers, and engineers has worked best in a studio scenario.  Of course we all need to be flexible and willing to do many things, but the separation of responsibilities has proven to be a wise choice, so why mess with a  good thing?

EarthShip Records New Site Now Live

November 15th, 2008

Yeah, yeah, it’s just a regular blog type thing, but it’s better than what we had!

Anyhow, we’ll be sure to have more content to share soon.

Cheers!

Audio Editing Primer

April 2nd, 2008

A common question I see asked frequently online, is how to record audio with a PC. A lot of options exist, including fantastic programs such as the free and open-source Audacity, but today I want to explore some other options, and perhaps help some folks decide where to start.

These days, any average PC comes with pretty decent audio hardware, generally with a microphone or line input, allowing you to record virtually anything with your PC. If you have a good microphone, or even just a basic webcam with a built-in mic attached to your PC, and with just a bit of additional software freely available on the web, you have all you need to get started. If you don’t have capable audio hardware, well that’s another issue for another day.

When it comes to recording audio on a PC, I make a distinction between two main categories of applications: DAEs and DAWs. Generally speaking, Digital Audio Editor (DAE) applications are simpler to use, and often are only capable of recording from one audio input at a time, and can usually only perform whats known as “off-line” editing functions, as opposed to the “real-time” processing done by more professional applications. The more complicated, and expensive, Digital Audio Workstation (DAW) applications can usually record multiple audio tracks (to seperate files) at once, and from multiple hardware devices (multi-tracking), and generally offer greater flexibility for routing the audio, adding effects, often in real-time, as well as mixing and mastering the final result. However, most DAE and DAW programs accomplish the same goals in much same way, if not exactly the same, so it is often a matter of familiarity and comfort one has with a particular piece of software that defines what is “best” for them.

Here is a short list of popular Digital Audio Workstation software to try:

Now you probably are thinking, “I don’t need to record multiple tracks, and these DAWs seem complicated.” Well they are, and your probably right that it’s a bit much to use one of these if your just starting out, and looking for a really simple and quick way to record, especially if just one track at a time. This brings up the issue of usability, and that most people are simply not going to understand all the various nuances and issues that go along with editing audio, and rightly they shouldn’t have to. Editing audio can be as easy as editing a text document, with the right software. If you view the task from that perspective, editing audio becomes a bit easier.

When it comes to editing a single audio file, a stand-alone, dedicated application for that purpose may be, and in my opinion often is, better than the more complicated and expensive software I’ve mentioned. The multi-tracking features found in most DAWs prevent the user interface from being optimized for editing single files, and usability suffers for it. Applications devoted to editing single files at a time, generally have features and interface layouts more suitable for the goal at hand, and are therefore easier to use. Here is a short list of popular Digital Audio Editor software:

Obviously, you’ll want to try out the free Wavosaur before even looking at the others. And you should, because I think most people would find that Wavosaur does everything they probably will ever need. Wavosaur is not capable of recording more than a single file of audio at one time, but for just about any “basic” audio file operation, Wavosaur makes it a snap to perform and does the job as well as paid for alternatives. The interface layout is logical, if not a bit cluttered and perhaps less than optimized, but very usable. It may not be perfect, but I have a hard time advising someone to buy a program when capable freeware such as this, is freely available.

One of the best features of Wavosaur and most every professional DAE or DAW, is support for what’s called VST plugins. VST plugins are a type of add-on software for DAEs and DAWS that support the VST plugin standard. Thankfully, VST plugins are widely supported by many audio applications, so they are quite useful across the board. As well, there are a multitude of free VST plugins available on the web, with everything from EQs to Reverbs, Compressors, virtual instruments and much more. A good place to start looking for free VST plugins is actually on the Wavosaur website, where there are some links to quite a few decent plugins. If your looking for more, the Making Music blog keeps up to date postings of the latest goodies for your audio production needs. A bit of web searching will also find many free VST plugins out there.

So, I hope I’ve broadened the horizon for those looking to jump into audio editing. It’s not as hard as it looks, and it’s very fun to play around with. The possibilities are virtually endless and your imagination is the only true limit, so above all else, make sure to have fun!

Principles and Techniques of Speaker Placement

April 1st, 2008

A common problem is the placement of speakers in order to achieve the most accurate and enjoyable listening experience.  I’ve found this PDF guide from the Immedia support page is a very handy resource for anyone dealing with this problem.


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